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Archive for the ‘ New Gear ’ Category

JBL PRX-512mThe JBL PRX-512m is part of the PRX-500 Series of powered loudspeaker systems, of which there are seven models (two subwoofers and five full-range systems). All of these speakers are powered by built-in digital power amps engineered by Crown. In addition to these Crown power amplifiers, these systems contain state-of-the-art DSP (digital sound processing) that control functions like equalization, crossover accuracy, and system control/protection.

One thing that impressed me the most about the PRX-500 Series (including the smallest model, PRX-512m) is that they are NOT made in China — they were designed and engineered in the United States and then manufactured in North America in a very high-tech plant in Mexico. Then it appears they do final inspection, testing, packaging and shipping from their main plant in Northridge, CA….where my brand new PRX-512m’s were shipped from.

Upon removing from the box, I was impressed by the build quality and overall box integrity. They seem to be alot like the MRX and SRX in that regard. Nicely appointed with steel grills that have a lit up JBL & Crown logo. The weight of the PRX-512m is only 40 pounds, which is really light considering what’s inside:

In addition to the high performance and lightweight Crown amps, each PRX-512 utilizes the latest JBL loudspeaker technology. They have neodymium Differential Drive transducers with dual voice coils which are very light in weight, yet they provide high sound pressure levels with minimal harmonic distortion and power compression. When you combine highly engineered enclosures with sophisticated electronics like this, the result is supposed to be the highest performance-to-weight ratio in its class of PA equipment, a truly PORTABLE system that can really deliver the goods!

Back to the goodies: I love the Dura-Flex (TM) finish, as well as the nice build quality of the foam-backed grills. Not crazy about the handle on top, but this is a small cabinet; putting two handles in each side would have compromised the acoustics. With the matching JBL-Logo bag covers (not included), these speakers should survive the long wedding season intact, without any scratches (except on the speaker bottoms, which the bags do not cover).

One particular application for these is using them as main loudspeakers for wedding ceremonies. I could also imagine them being more than sufficient for cocktails, light jazz, and classic rock music.

The JBL PRX-512m features a dual-angle pole socket, which allows for more options in aiming the speakers toward the audience. This is really helpful because as a practical matter, you want neither tops or bottoms of the speaker visible from the listener’s perspective.

The actual components of the PRX-512m are a 12″ (JBL 262F) low frequency driver and a 1.5″ (JBL 2408H) high frequency compression driver. Even though the 512m is the smallest speaker in the PRX-500 Series, it uses the same HF Driver (2408H) as the PRX-515 as well as the PRX-525. Not only that, but the 500 watts of Crown amplification are the same as the PRX-515, both have the same 400 watt LF Crown amp, and the same 100 watt HF Crown.

What’s readily apparent, after some real world testing– these speakers are a clear step above from my previous Eon G2′s, both the 15s and 10′s. There is a sense of wider space, a bigger sound stage if you will. The highs are higher, clearer, more distinct. The midranges are clear, accurate and defined. Guitars and pianos stand out in particular, but other aspects like sibilance of high-hats and cymbals get more definition, that HF extention to 20k must be the reason!

However, this does not mean I think these loudspeakers are perfect. The lower bass is still too thin to operate by themselves in a typical mobile gig that requires playing hip hop or RnB music. Yes they work fine for funerals, ceremonies, cocktail music on a patio. Light rock and light jazz, no problem.

One song in particular, “Right Place Wrong Time” (Dr. John) stood out as a stellar example of why these speakers sound so good when they don’t get a lot of lower bass frequencies. With a true bottom end of 90 hz, these speakers are more like control monitors than full range loudspeakers. When you press the EQ button on the back control panel, the bass comes alive, extending the response down to 76 hz. Songs from the 60′s and early 70′s like this one were made for AM car radios, with little or no bass response.

However, when you play a song that is from the current era, or even a song from 20 years ago with heavy bass (for example, “The Way You Make Me Feel” by MJ), then the lack of lower bass response is more obvious. Both settings sounded thin and weak, with the “Main” setting providing barely adequate lower bass. Highs and mids were stellar though, I heard details lacking when played thru the eons.

On all songs tested, these speakers were able to make very loud sound pressure levels, despite the lack of bass. It is impossible to overdrive the mic (as I was prone to do with the Eon 15′s). Feedback is way less of a problem with the new speakers.

Overall, I’m very pleased with the PRX-512m because they were NOT purchased as a stand-alone Main Loudspeaker but rather, for using in combination with the matching PRX-718s Sub-Woofer. They not only look great, but they demonstrate to my audience that I’m constantly reinvesting in my productions with the latest technology. They’re a huge step up in quality from the Eon series they replaced, and much less worries about system failure with Crown amps!

When used with at least ONE sub, these speakers would provide the typical mobile Disc Jockey or small touring band with the ultimate portable PA loudspeaker system. Did I mention– only 40 pounds apiece? When you consider how much a typical passive amp weighs, its truly amazing what they’ve done with audio components!

Once the new PRX-718s Sub Woofer system arrives, I plan to do a follow-up on these speakers,
Meanwhile, I’ve used them in testing with Eon 518s, and B-52 ACT-18, with excellent results in both cases.

The JBL PRX-512m is available at Audiolines.com

Popularity: 27% [?]

Watch out Hercules

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Popularity: 4% [?]

Finally cases designed for mobile computer DJs

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Popularity: 3% [?]

Control 4 transports or 2 computers from Allen and Heath WOW!

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Estimated street price: $1299.00


Popularity: 4% [?]

New Allen and Heath boards are unveiled

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Popularity: 3% [?]

Watch out Rock N Rollers theres a new stronger rocker in town. I want one.

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Popularity: 4% [?]

Personal monitoring redefined

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Popularity: 4% [?]

We dont have very much info yet on this, but we have seen some interesting videos of what the combination of 2 of the biggest names in DJ technology and music production.  Dont take our word for it, listen to the pros below.

See below for the first clips.  Let us know how you will want to use The Bridge.

Popularity: 8% [?]

After recently selling a pair of JBL Eon speakers for 75% of their original purchase price, I became convinced of the importance of using nylon covers for plastic speaker cabinets. My 4-year-old Eons looked brand new, not a scratch on them!

Meanwhile, I had been covering my one-year-old Eon 518s Subwoofer with an old green blanket. Now that really looks “ghetto,” when you’re carry in that load of equipment.

Wanting to have the nicest working conditions for my Eon Sub, I decided to purchase the SUB-18T transport case.

My first impression, was the empty case itself comes folded into a compressed package, but when you unfold it — the shape came back right away.

The Sub-18T is nicely designed with JBL logo on two sides.

The directions are convienently sewn into the inside cover flap—you simply place the box upside down over the sub, then you turn the box sideways onto its wheels and zip the case for transport. The entire process took me about 20 seconds on my first attempt.

Best of all, the additional thickness of the case had almost no effect on the sub’s taking up minivan space, adding only a couple of inches of width and length to its dimensions. The case itself probably weighs 5 pounds, so not much additional carrying weight is added.

After you remove the sub from the case (this is also very easy to do); the empty case can once again be folded into a smaller package for easier storage.

There are two convenient carrying pouches (probably for the power cords & XLR cables), on each side of the box.

Now that I have my subwoofer on rollers, I can finally put away the Furniture Dolly and use the SUB-18T Transport Case instead, with the SKB Mini-Gig-Rig placed on top when I’m rolling my gear into and out of the venue. No more ugly green blankets, hooray!

The casters on the bottom are extra large, which makes this unit very stable on thresholds and doorways. Also rolls easy over cobblestones and brickwork.

I discovered that my Mini Gig Rig is able to fit right on top, for a quick roll-in and out.

In conclusion, the JBL Sub-18T is a nicely appointed accessory for either the JBL Eon 518s sub or the PRX-518s sub, and will preserve your resale value downstream. The cost of this Transport Case will probably pay for itself when you decide to upgrade to another more powerful JBL subwoofer in a few years, like the PRX-718s for example.

Highly recommended.

The JBL Sub-18T case is available for only $249.00 at Audiolines.com

Popularity: 6% [?]

This was my first adventure into gobo productions for my DJ business. I was looking for something affordable, light-weight, and simple. The Irradiant Spot Projector meets all these categories. I was expecting a much heavier unit; however when it arrived I was presently surprised to discover how light it is. The gobos are easy to create on transparency paper or you can order glass/metal gobos online from a number of companies (I would recommend Audiolines). So far I have made a dozen gobos with different colors. The unit is not as powerful as a Martin light but it does a decent job projected on a dance floor or wall in a dark room. This is a great investment for a DJ just looking to branch into basic gobo production. Eventually I will upgrade to a more powerful unit but for now this was a great purchase. Overall rating: 4/5

Popularity: 14% [?]

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